Shuie Of Say My Name: Fashion, Fire, And The Future

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Photo Credits: GEDIAO CITTA Magazine + iNKODE Entertainment

Inside nan hushed glow of a Beijing studio, Shuie (Yang Shumeng) steps into nan framework and stops nan room. The camera doesn’t conscionable “capture” her—it leans closer. In GEDIAO CITTA Magazine’s Issue No.372, she isn’t simply a screen star; she’s an full temper committee successful motion: frost‑toned silks, leather pinch a soft waist twist, and a regard that flickers betwixt awkward and sovereign. For SAY MY NAME, this infinitesimal crystallizes what their Chinese‑born rapper has softly become: a span betwixt generations, countries, and nan push‑and‑pull of girl‑group reinvention successful nan K‑pop era.

The woman who rewrote nan group’s name

SAY MY NAME debuted successful October 2024 arsenic a seven‑member ensemble nether iNKODE, swiftly tagged “one of nan artists to watch successful 2025” for their theatrical, genre‑spanning sound and Kim Jaejoong‑produced identity. By March 2025’s My Name Is… EP and its plucky, brass‑tinted “ShaLala,” nan group was already carving retired a niche: a girl‑group that winks astatine pop‑convention while keeping its affectional halfway raw.

Then, on July 10, 2025, nan equation shifted. Inkode announced that SAY MY NAME would grow from 7 to 8 members, introducing Shuie—a Chinese rapper and artist‑trained trainee pinch a history that loops done SM Entertainment and Yue Hua. Her debut arsenic portion of nan group came pinch nan azygous “iLy” connected August 1, 2025, marking nan first merchandise wherever nan group’s sound felt some fuller and much delicate.

To fans utilized to fixed lineups, nan alteration sparked mixed emotions. Yet Inkode’s connection promised continuity of tone alongside caller energy—a equilibrium that began to hum louder pinch each caller choreography cue and vocal line.


Material dreams: Shuie’s manner language

If SAY MY NAME’s euphony talks astir personality and belonging, Shuie’s styling speaks nan subtext. In nan GEDIAO CITTA pictorial, she slides betwixt copy lives: 1 rooted successful soft, almost world elegance (oversized blazers, neutral knits that puddle astatine nan wrists), different successful sharp, almost androgynous tailoring—crop trench coats, leather high‑wasted shorts, and choreography boots that hint astatine runway‑ready motion.

Stylists framework her arsenic a “quiet futurist”: silhouettes that elongate, curves that ne'er shout, palettes that pivot from milky ivory to cool denim‑blue. The screen image, changeable successful a high‑rise studio, uses antagonistic abstraction to move her posture into architecture; she’s some a sculpture and personification you could ideate texting your closest concealed to.


This isn’t conscionable artistic consistency; it’s strategical storytelling. In nan video teaser for nan CITTA feature, she moves done a azygous corridor successful aggregate looks, each move of nan camera echoing a different affectional key: curiosity, loneliness, resolve.


Stage, screen, and nan avatar of growth

On stage, Shuie’s domiciled is paradoxical: she’s nan rapper who softens peaks, nan performer who makes crowd‑chanting consciousness intimate. In nan group’s 3rd EP, &Our Vibe (December 2025), her verses successful “UFO (Attent!on)”—the way that earned SAY MY NAME their first music‑show triumph on Music Bank in January 2026—anchor nan song’s swagger pinch a controlled, almost conversational cadence.

Her pre‑trainee inheritance successful creation successful Beijing, positive her stints nether SM and Yue Hua, can’t beryllium publication arsenic “experience”; they’re texture. That’s why videos for illustration nan “iLy” MV, built astir a Frankie Valli interpolation, deed differently: underneath nan disco‑pop glitter is simply a communicative of personification who’s auditioned, waited, and walked distant much than once, only to return pinch sharper aim.


Off stage, she’s go a quiet magnet for overseas fans. With a Japanese‑leaning fanbase done Hitomi and a Chinese‑speaking pursuing keyed into her interviews, Shuie often becomes nan earthy interface for bilinguist and trilingual conversations. Weverse and fan‑community highlights show her discussing dreams, connection gaps, and “wanting to singing successful a measurement that doesn’t request translation.”

How SAY MY NAME uses visuals arsenic armor

SAY MY NAME’s sanction itself is simply a vow: “say my name” as a telephone to admit self‑worth amid struggle. The GEDIAO CITTA characteristic feels for illustration a ocular hold of that mission. Instead of a purely glamorous spread, nan editorial leans into duality: soft ray and difficult angles, solo frames and subtle group‑echoes successful nan wardrobe. Blazer‑tails that reflector past outfits, color‑blocking that recalls past medium covers (“WaveWay,” “ShaLala,” “UFO” each ripple successful nan inheritance arsenic a creation echo).

Stylists thin into “uniforms that consciousness lived‑in”—twisted collars, slouching stockings, chains that drape for illustration half‑used necklaces. It’s a girl‑group manner temper that rejects nan thought of “perfect unattainability”; instead, it suggests that personality is thing you gradually gaffe into, not thing handed down.


For fans, this resonates. A speedy scan of threads astir nan CITTA rumor reveals descriptions for illustration “Shuie wearing our insecure teenage aforesaid but pinch big confidence” and “she looks for illustration nan woman who’s been rehearsing successful her room while nan world wasn’t watching.”

Fandom, geography, and nan “us” successful SAY MY NAME

SAY MY NAME’s global‑model domiciled for vitamin‑skin‑care marque Tiam at debut signaled early ambitions beyond Korea. With Shuie’s Chinese‑born, Japan‑friendly, Korea‑based profile, nan group now jogs betwixt 3 fandom cultures: K‑pop fans utilized to multilingual idolism, Chinese fans quiet for home talent connected nan world stage, and Japanese fans who trace lineages backmost to Hitomi’s AKB48 and Iz*One days.

Chatrooms and X threads show fans organizing associated watch‑parties for nan CITTA cover‑teaser video, translating captions and re‑posting outfits to fashion‑themed accounts. The hashtag #SHUIE and #SayMyName drift together for illustration a single, self‑sustaining ecosystem, asking nan aforesaid mobility nan magazine’s editorial implicitly answers: What does it look for illustration to turn up successful public, successful 3 languages, connected 3 markets, and still telephone that abstraction home?


The stance of a caller generation

By nan clip Shuie steps onto nan screen of GEDIAO CITTA’s March 2026 issue, she brings much than a momentary glow. She brings nan weight of a rookie group’s evolution: 1 triumph on Music Bank, an expanding discography, and a sanction that now genuinely intends “listen to us, retrieve us, explanation america correctly.”

In 1 frame, she stands against a achromatic wall, 1 manus successful a pocket, nan different lightly clutching her wrist—a motion that feels for illustration a backstage committedness alternatively than a pose. In another, she leans into a mirror, catching nan camera’s regard without looking astatine it, arsenic if performing a reality that’s already half‑dreamed.

This is nan quiet gyration of SAY MY NAME successful 2026: a girl‑group that doesn’t request to outcry to beryllium seen, and a personnel whose individual history is written successful fashion, not conscionable lyrics. Shuie isn’t conscionable “Shuie of SAY MY NAME”; she’s “Shuie of a caller era,” wherever ocular identity, instrumentality culture, and imaginative improvement intertwine for illustration stitching connected a cautiously tailored jacket.

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